with Derrida in the school of restlessness
When
I was 13, my grandmother thought that I was constantly high because she couldn’t
tell the différance between barbiturates and depression. Although I can’t
blame her. I didn’t know what it was either, I just knew this way of feeling
was normal. And I also knew that I was not taking anything to feel this way.
My depression is always existential.
Maybe it’s different for others but mine is always driven by meaning.
Depression strips the meaning out of the world. Without meaning, there is no
joy. The mechanism it uses is the morbid curiosity of deconstruction. (Derrida
and Foucault are the unknown heroes of depressed teenagers everywhere.) Deconstruction
is the ability to take a thing apart believing that understanding the smallest
unit will allow meaning. But the paradox of understanding how each piece fits
together negates meaning because the smallest piece is meaningless by itself.
For example let’s say I want to
understand how a bicycle works. I grab a
wrench and a screwdriver and begin taking off parts of the bicycle and setting
them neatly aside categorizing them as I go. I start with the chain and the
pedals and grasp how forward motion takes place. Next the handle bars and the
wheels – now I know how steering works. Next the body. Then I take all of those
pieces and break them down into their simplest parts. Now I look at the
thoroughly disassembled bike and believe that I know what it is.
Nothing.
Just
a bunch of meaningless pieces. And now that I know this, there is no desire to
put it back together and ride it. Because it doesn’t mean anything to ride a
bike. Because starting from meaninglessness can’t produce meaning. It is a horrible feeling to have a bike sitting in front of you, fully understanding the potential of what it can do and having no desire to enact that potential.
If you don’t like that illustration,
video games work even better. Ones and Zeroes at the base producing an illusion
on a screen.
What I need to get through my day is
a story bigger than myself – an overarching narrative (where a bike is more
than the sum of its parts) and goes somewhere. I need hope. I need to believe
that right and wrong are real things and injustice is something that will
someday be made right. I need to believe that the silent witness of the night
sky to a thousand atrocities will not be lost when the universe gives up its
last bit of energy. That what we do here matters in a grand transcendental
language game.
The last words on the archway of the
gates of hell in Dante’s Inferno are “Abandon
All Hope You Who Enter Here.” Depression is hopelessness. Depression is hell.
Hell is meaninglessness which is sad because bikes are fun to ride.
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